Physically, temporally, and psychically bound, our sense of place is mercurial by nature. It shifts, expands, and contracts, becoming a synthesis of all that has preceded and all that is yet to arrive. Between ‘place’ and ‘djeembana’ is a lacuna in language. Direct translation fails. Djeembana, a word of the Boon Wurrung, is a place for community; a meeting point for the exchange of stories, rituals and knowledge. 

When we speak of place, we look to invoke that which djeembana signifies. Serving as the Fair’s thematic for 2022, ‘djeembana’ and ‘place’ will, together, through a contemporary art lens, address our sense of place in an increasingly unsustainable, globalised world. Melbourne Art Fair will command its programming to function as a locus for intersecting perceptions relevant to the current moment with careful examination of issues pertinent to both the local and global.

Recent tumult – social, ecological, and political – has caused an irrevocable shift in our sense of place, challenging established assumptions of known places and our role within them. The need for new frameworks to comprehend underlying histories as well as the complexities of the present is urgent.

Advocating for contemporary art as a force for social change, Melbourne Art Fair believes in the power of ideas to surface salient issues of our time. Privileging underrepresented voices, Melbourne Art Fair will serve as a meeting point for community – artists, curators, collectors and patrons alike – to redefine and deepen relationships to place as individuals and as collectives.

We thank N’arweet Carolyn Briggs AM, Chair of the Boonwurrung Foundation and writer of the Boonwurrung language, for her consent to the use of the word Djeembana, which means ‘community’, in her authority as recognised Elder, Traditional Owner and linguist.


Kaylene Whiskey in her studio, recipient of the Melbourne Art Foundation 2022 Commission in partnership with ACMI. Photo courtesy of Iwantja Arts, photographer: Meg Hansen.

Established in 2006, the Melbourne Art Foundation Commission program provides a living artist with a rare opportunity to realise a large-scale work for unveiling at Melbourne Art Fair, which is later gifted to a prominent Australian institution. 

Melbourne Art Foundation and Australia’s national museum of screen culture, ACMI, are proud to announce Kaylene Whiskey as the recipient of the Melbourne Art Foundation 2022 Commission, supported by Artwork Transport and Panasonic.  Whiskey’s new  video work will be the ninth commission of the 15-year program.

Previous partners in the program have include HOTA Gallery, Bendigo Art Gallery, NGV, QAGOMA, the University of Queensland Art Museum, MCA, Art Gallery of South Australia, National Gallery of Australia; and artists Ramesh Mario Nithiyendran, Ronnie van Hout, Michael Parekowhai, David Griggs, Peter Hennessey, Jon Campbell, Ian Burns, and Mikala Dwyer.


Making its debut at Melbourne Art Fair in 2022, BEYOND harnesses the monumental exhibition spaces within the Melbourne Convention and Exhibition Centre to present six large-scale installations and spatial interventions that respond to the theme djeembana/place. BEYOND is curated by independent curator and writer, Emily Cormack. Melbourne Art Foundation supports the inaugural sector by providing a monetary grant to participating Beyond galleries. 



“The moving van turns the corner.

Arcades in the sun. Sleeping statues.

Red smokestacks; nostalgia for unknown horizons.” [1]

The unknowable essence of place described in this poem by painter Giorgio de Chirico is us. The pivoting, pirouetting truth of our Covid moment is disorienting and all we can do is feel for place, sense our surroundings. In us is the stillness of empty streets and sleeping statues. Life paused, bracing for news, pacing our small perimeters. Nostalgia for unknown horizons is our constant condition, as linear time fails to keep up with the whimsy of our locked-down, wandering minds.

For Melbourne Art Fair 2022: Beyond we have commissioned six sculptural installations, each of which turn to this strange stilled, cusping moment – dwelling on the no-place / some place that we are in. Working across media and style the works are offered up to the viewer, as sculpture, video, fabric, river reed and dance – inviting the viewer to wake with them, to begin anew, together.

Featuring new work by Matt Arbuckle, Maree Clarke, Sean Meilak, Nabilah Nordin, Caroline Rothwell and Sally Smart, each of the works question what this place is when we are without each other. In different ways the works draw us to one another – inviting physical proximity, wrapping us, inviting us to dance, sit or digitally interact, enveloping us and affecting us. For MAF’s Beyond 2022 the commissions seek a direct connection with the viewer, tapping onto our energy fields and inviting us to connect once again. Occupying ideas of djeembana – a Boonwurrung term for community, exchange, and meeting points, these works illuminate those moments when the individual meets the collective. 

[1] Giorgio de Chirico, “A Life”, The Collected Poems Of Giorgio De Chirico, in Metaphysical Art, The De Chirico Journals, n. 14/16 (2016). Foundazione Giorgio e isa de Chirico, 2016

beyond 2022 participating artists

CAROLINE ROTHWELL, presented by Tolarno Galleries (Naarm/Melbourne)

MATT ARBUCKLE, presented by Daine Singer (Naarm/Melbourne)

MAREE CLARKE, presented by Vivien Anderson (Naarm/Melbourne)

NABILAH NORDIN, presented by Neon Parc (Naarm/Melbourne)

SALLY SMART, presented by Gallery Sally Dan-Cuthbert (Gadigal Country/Sydney)

SEAN MEILAK, presented by Niagara Galleries (Naarm/Melbourne)


Presented by Glenfiddich, LIVE is an onsite/offsite performance and sound art program captivating the imagination of the artworld and art loving public. Aligned with Glenfiddich’s maverick DNA, the inaugural program celebrates trailblazers featuring Australia’s most boundary-pushing artists with critically significant performances both at the Fair and across the city.


ANGELA GOH presented by Performance Review, Naarm/Melbourne

NADIA HERNÁNDEZ & JASON PHU presented by STATION, Naarm/Melbourne, Gadigal Country/Sydney

AMALA GROOM presented by Blackartprojects, Naarm/Melbourne

SCOTTY SO presented by MARS Gallery, Naarm/Melbourne

THE HUXLEYS presented by Murray White Room, Naarm/Melbourne

NICHOLAS MODRZEWSKI presented by Discordia, Naarm/Melbourne

STEVEN RHALL presented by MARS Gallery, Naarm/Melbourne

SALLY SMART presented by Gallery Sally Dan-Cuthbert, Gadigal Country/Sydney


Presented by SUBTYPE, VIDEO is dedicated to the presentation of moving-image art from new and iconic international contemporary artists, curated by Nina Miall, Curator International Art at QAGOMA. The fair welcomes for the first time participation from international galleries unable to physically exhibit within the main show sector, enabling dealers from across the globe to maintain a connection with Australasia’s active and growing collector-base during the ongoing pandemic.


JACOBUS CAPONE presented by Moore Contemporary, Boorloo/Perth

GABRIELLA MANGANO & SILVANA MANGANO presented by Anna Schwartz Gallery, Naarm/Melbourne

JENNA LEE presented by MARS Gallery, Naarm/Melbourne

MICHAEL RAKOWITZ presented by Jane Lombard Gallery

JAMES TYLOR presented by Vivien Anderson Gallery, Naarm Melbourne

GRANT STEVENS presented by Sullivan+Strumpf, Gadigal Country/Sydney

TUAN ANDREW NGUYEN presented by James Cohan, New York

DOMINIC MANGILA presented by The Drawing Room, Manila

NATHALIE DJURBERG & HANS BERG presented by Lisson Gallery, New York / Shanghai / London

HIRAKI SAWA presented by James Cohen, New York

LARESA KOSLOFF presented by Sutton Gallery, Naarm/Melbourne


A non-commercial platform for experimentation, in 2022 PROJECT ROOMS welcomes Gertrude Contemporary (Naarm/Melbourne) and LAST Collective (Naarm/Melbourne) with the presentation of artists that push the boundaries of artistic practice with performance and multi-media works.


Melbourne Art Fair 2018 Keynote.

Conversations is a platform for dialogue and the sharing of ideas, bringing together cultural communities and thinkers from across the creative spectrum. The aim: to address the future of art and the contemporary world through a series of talks and panels featuring artists, gallerists, curators, collectors, architects, critics, and cultural luminaries. Conversations will be developed by a Curatorium led by Melissa Bianca Amore, art critic, curator, contemporary philosopher, and Co-Founding Director of Re-Sited based in New York and Naarm/Melbourne.

Melbourne Art Fair acknowledges the Traditional Owners, the Wurundijeri and Boon Wurrung people of the Kulin Nation, on whose land we will meet, share, and work. We pay our respect to Aboriginal and Torres Strait Islander People from all nations of this land.

Important Cookie Information

This site uses cookies to give you the best possible experience. By continuing to use the site you agree that we can save cookies on your device. Cookies are small text files placed on your device that remember your preferences and some details of your visit. Our cookies don’t collect personal information.