In the dual-screen video, The Name of Gold, characters created with clay forge ahead in the black- and-white world. Presented at the beginning of the video, black and white embodies a world that is both cruel and humorous, real and illusory, secular and sacred. Characters in the storyline are made of clay, whose texture echoes the rough persona, going through traumas, unavoidable difficulties and tribulations, set against the context of numerous problems people have to face. The clay figures are collectively creating a monolith, so huge as to be beyond vision, which is golden inside, emitting the light, color and sound of calling and temptation. People work for it and even offer part of themselves or others as sacrifice, yet the giant in turn continuously devours the assiduous humans. An electronic clock is running backward at full speed, flickering between “mud and meat”. The film still leaves some space for interpretation, for instance, is the giant a Babel Tower? As time flows back at its will, is it a symbol of the past like a dreamy illusion? Is the film a reflection on human collective behavior, or a fable of human life, sickness and death?