Art Guide Australia, Art Ink and Perimeter Books Tell us The Books we Should be Reading
The Bookshop at Melbourne Art Fair 2026 is our chance to pull books out of the corner, literally and conceptually, and give them a space that feels immersive, generous, and alive.
It’s a place to wander, linger, lose track of time while flipping through the pages, and buy a book from one of the artists that may have a work hanging in a booth five metres away.
Established in Naarm in 1975, the Women’s Art Register (WAR) is celebrating 50 years. This artist-run community and living record contains material that represents over five thousand women and gender diverse artists who have lived and worked in Australia. Perusing the pages of this anthology is a bit like looking through an archive – different voices, images, ephemera, records, and conversations – forming a web of connections. With contributions from leading artists, curators, writers, and academics this book is a must for those wanting to explore feminist art history and the unique role the Women’s Art Register plays in the Australian arts scene.
You might not be allowed to touch a Hany Armanious sculpture (tempting!) but you can touch this satisfyingly soft-cover book, published alongside the current exhibition Hany Armanious: Stone Soup at Buxton Contemporary. This thoughtfully designed monograph focusses on the last fifteen years of Armanious’s practice with new scholarship from co-curator Laurence Sillars. Using a labour-intensive process of casting with polyurethane resin, Armanious makes near identical replicas of everyday, often discarded or decrepit objects. This publication features a sequence of images that invites serious close looking, and a way of tuning into the world through colour, surface and texture.
Image courtesy Art Guide Bookstore.
ART INK
With recommendations from Oliver Frank, and the team at Art Ink.
Windows & Mirrors is the first publication to comprehensively catalogue the influential career of Bandjalung man and cultural leader Djon Mundine OAM. Bringing together key writings from 1999 to 2023 alongside archival imagery and exhibition documentation, the book traces pivotal figures, exhibitions, and movements in the development of contemporary Indigenous art in Australia. Drawing on decades of curatorial and cultural leadership, Mundine’s essays offer both institutional insight and lived experience, making the publication an essential cultural and historical reference.
Ghost Smoke surveys the past decade of Adam Lee’s painting and drawing practice, presenting a richly atmospheric body of work shaped by memory, folklore, and imagination. Through moody landscapes and allegorical scenes rendered on canvas and paper, Lee constructs worlds that sit between the real and the imagined. Characterised by a contemporary take on tenebrism, the publication offers an immersive, painterly exploration of time, transcendence, and the unseen forces that shape human experience.
Image courtesy Art Ink.
PERIMETER BOOKS
With recommendations from Dan Rule, Director, Perimeter Books.
A personal favourite from our publishing archive, Ying Ang’s Fruiting Bodies reimagines the mushroom as both a biological form and a feminist metaphor – an emergent, generative force that challenges dominant narratives of fertility and the female body. Photographed while walking through inner-city parks close to the artist’s home in Melbourne, the series examines how the fetishisation of fertility has shaped cultural perceptions of women, nature and reproduction, questioning whether growth and abundance must always serve a reproductive imperative. The book is materially rich, yet somehow humble, much like the work itself.
Sit, site, chair, cherry is a phonebook-scaled archive of photographs that breaks down a site rich in the history of design and architecture – the Vitra Campus in Switzerland, home to the famed Vitra furniture design company – into a sea of fine-grain details, textures, and gestures. The campus – which comprises buildings designed by Frank Gehry, Zaha Hadid, Tadao Ando, and Alvaro Siza – is rendered so as to become a fabric of contained but connected moments and surfaces. A remarkable object and series – content and form working in perfect step.
We acknowledge the Traditional Owners of the place now called Victoria, and all First Peoples living and working on this land. We recognise and celebrate the cultural heritage, creative contributions, and stories of the First Peoples of Victoria. We pay respect to Elders of today, emerging Elders of tomorrow and Elders of the past.
Important Cookie Information
This site uses cookies to give you the best possible experience. By continuing to use the site you agree that we can save cookies on your device. Cookies are small text files placed on your device that remember your preferences and some details of your visit. Our cookies don’t collect personal information.