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Latest News

September 30, 2024

Leading Contemporary Artists Yona Lee and Dawn Ng Awarded Two Major Commissions

September 11, 2024

Melbourne Art Fair Appoints Rachel Ciesla as Curator of VIDEO 2025

August 21, 2024

How Michael Georgetti Personifies Painting

August 5, 2024

Kieren Seymour on Floating Heads and Artificial Intelligence in His New Otherworldly Exhibition

@melbourneartfair

Ingvar Kenne’s ongoing photographic series title

Ingvar Kenne’s ongoing photographic series titled ‘a portrait of [country]’, continues his exploration of abandonment as he searches out magical, often inaccessible and harrowing parts of the Land that still echo with their pre-colonial life.

@ingvarkenne's large-scale photographs will be exhibited by @day01.gallery (Gadigal Country/Sydney) at Melbourne Art Fair 2025 alongside works by Marisa Purcell.

Buy now and save on First Release tickets currently on sale at the link in bio 🔗

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Images:
1. Ingvar Kenne, 𝘗𝘢𝘯𝘥𝘢𝘯𝘶𝘴 𝘰𝘯 𝘕𝘪𝘯𝘦𝘯𝘦 𝘊𝘰𝘶𝘯𝘵𝘳𝘺, [Western Arthurs, Southwest NP, Tasmania] (detail), 2023-2024, archival inkjet print on cotton rag paper. Large: 154.5 x 124 cm. Small: 104.5 x 84 cm.
2. Ingvar Kenne, 𝘗𝘢𝘯𝘥𝘢𝘯𝘶𝘴 𝘰𝘯 𝘕𝘪𝘯𝘦𝘯𝘦 𝘊𝘰𝘶𝘯𝘵𝘳𝘺, [Western Arthurs, Southwest NP, Tasmania] (detail), 2023-2024. Full view.

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#art #contemporaryart

At Melbourne Art Fair 2025, @tolarno (Naarm/Melbou

At Melbourne Art Fair 2025, @tolarno (Naarm/Melbourne) will present a significant solo exhibition of works by @hannahgartsidestudio

"𝘉𝘶𝘯𝘯𝘪𝘦𝘴 𝘪𝘯 𝘭𝘰𝘷𝘦, 𝘭𝘶𝘴𝘵 𝘢𝘯𝘥 𝘭𝘰𝘯𝘨𝘪𝘯𝘨 is a series of small sculptures of anthropomorphised rabbits made from worn vintage ladies’ gloves in leather, suede and cotton. The gloves have been manipulated to depict bunnies cuddling, hanging out, pleasuring themselves and each other. After years of functioning as protection against impropriety and cold weather, these gloves now bring to life little experiences and relationships."
-Hannah Gartside

Hannah has also recently been announced at the recipient of the prestigious Anne & Gordon Samstag International Visual Arts Scholarship for 2025. Melbourne Art Fair extends its congratulations to Hannah for this tremendous achievement.

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Image: Hannah Gartside, series title: 𝘉𝘶𝘯𝘯𝘪𝘦𝘴 𝘪𝘯 𝘭𝘰𝘷𝘦, 𝘭𝘶𝘴𝘵 𝘢𝘯𝘥 𝘭𝘰𝘯𝘨𝘪𝘯𝘨 , #26, 2024, found leather gloves, wire, cotton and wool fabric, weighted curtain cord, thread, 17 x 9 x 17cm. Photo: Chris Bowes.

Announcement 📣 Under the Melbourne Art Founda

Announcement 📣

Under the Melbourne Art Foundation 2025 commission program, two ambitious new works from leading international artists, represented by exhibiting galleries, will be showcased at Melbourne Art Fair. In partnership with @qagoma celebrated Singaporean multi-disciplinary artist Dawn Ng, represented by @sullivanstrumpf (Gadigal Country/Sydney, Naarm/Melbourne), will exhibit a new moving image work exploring the tenor and trajectory of time via a hypnotic cascade of falling colour. Ng’s presentation at the 2025 Melbourne Art Fair is supported by @theritzcarltonmelbourne

Additionally, in partnership with the @govettbrewster, Tāmaki Makaurau/Auckland-based artist Yona Lee, represented by @fineartssydney (Gadigal Country/Sydney), will develop a large scale installation, calling into question what it means to make sculpture comprised of found objects in the networked digital age. Lee’s commission at the 2025 Melbourne Art Fair is supported by@artwork_transport and is the first time a Melbourne Art Foundation Commission will be in partnership with an international institution.

Read more at the link in bio 🔗

@dawn___ng @ylee138

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Images
Left: Yona Lee. Photo: Seowon Nam. Courtesy of Art Sonje Center ⓒ 2024. Art Sonje Center all rights reserved. C/o the artist and Fine Arts, Sydney.
Right: Dawn Ng, Photo Credit: Paulius Staniunas | All Is Amazing.

TICKETS ON SALE 🎟️ Buy now and save with 20%

TICKETS ON SALE 🎟️

Buy now and save with 20% OFF all tickets

Melbourne Art Fair is thrilled to announce the participating galleries for 2025 with First Release Tickets on sale now.
Presenting new and iconic artists, Melbourne Art Fair returns this summer, 20 - 23 February 2025 across 9,000sqm at the @mcec. Explore and collect works from over 100 contemporary artists, presented by Australasia’s leading galleries and Indigenous art centres. Alongside artist presentations, discover a curated program of large-scale installations, commissions, video art, conversations, live performances and more. The 2025 event also welcomes the Victorian First Peoples Art & Design Fair, presenting a showcase exhibition featuring works by 20 unrepresented artists and four Indigenous Art Centres.

Tap the link in bio to view the gallery list and secure tickets. 🔗

𝘔𝘪𝘯𝘥 𝘤𝘰𝘳𝘯𝘦𝘳𝘴, Est

𝘔𝘪𝘯𝘥 𝘤𝘰𝘳𝘯𝘦𝘳𝘴, Esther Stewart's third solo exhibition with @stationgalleryaustralia (Naarm/Melbourne) closes next week, 5 October.

Integral to Stewart’s practice is an experimentation with modular designs. 𝘔𝘪𝘯𝘥 𝘤𝘰𝘳𝘯𝘦𝘳𝘴 showcases Stewart’s consideration on modularity as a means to enable the interchange of parts without disrupting entire systems. She sees each panel as a collage in itself, ultimately contributing to a cohesive larger structure.

@esther_stewart
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Images:
1. Esther Stewart, 𝘚𝘰 𝘮𝘶𝘤𝘩 𝘤𝘰𝘮𝘪𝘯𝘨 𝘪𝘯 (detail), 2024, acrylic on 6 aluminium panels, 221.2 x 361.9cm.
2. Esther Stewart, 𝘚𝘰 𝘮𝘶𝘤𝘩 𝘤𝘰𝘮𝘪𝘯𝘨 𝘪𝘯, exhibition view. STATION Gallery.

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#art #contemporaryart #estherstewart #stationgallery

𝘛𝘩𝘦 𝘞𝘦𝘪𝘨𝘩𝘵 𝘰𝘧 𝘊𝘰𝘭𝘰𝘶𝘳, continues at @sullivanstrumpf (Naarm/Melbourne) until 5 October. Showcasing works by the abstraction pioneer Sydney Ball, the exhibition is curated by David Flack of @flackstudio_

"Colour is everything in this exhibition–the title is testament to that...A curiosity of scale and shape has informed this curation, and an interest in seeing works from across the years and across his various distinct series in concert with one another."
- David Flack

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Image: Sydney Ball, 𝘛𝘪𝘤𝘰𝘯𝘥𝘦𝘳𝘢 (𝘢𝘧𝘵𝘦𝘳 1968 𝘷𝘦𝘳𝘴𝘪𝘰𝘯), 2002, 𝘈𝘧𝘵𝘦𝘳 𝘵𝘩𝘦 𝘔𝘰𝘥𝘶𝘭𝘢𝘳 𝘴𝘦𝘳𝘪𝘦𝘴, acrylic on canvas, 152 x 232 (diptych), 152 x 116 cm (each panel).

Currently exhibiting at @chalkhorsegallery (Gadiga

Currently exhibiting at @chalkhorsegallery (Gadigal Country/Sydney) until 19 October, 𝘐𝘯𝘴𝘦𝘤𝘵 𝘈𝘴𝘴𝘦𝘮𝘣𝘭𝘺 presents a new series of works by Claudia Greathead.

Strung together, the works form an ecosystem of their own, where each ‘species’ both exists within a web of interrelationships, and negotiates a particular agency of its own. Each painting brings into focus the robustness and textures of the insects - their intricate qualities are endowed with a dispersive mode of attention, and a speculativeness which always seem to persist within Greathead’s imagery.

@claudiagreathead
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Image: Claudia Greathead, 𝘍𝘭𝘶𝘧𝘧𝘺 𝘔𝘰𝘵𝘩, 2024, oil on canvas, 36 x 25cm.

@dominikmerschgallery (Gadigal Country/Sydney) pre

@dominikmerschgallery (Gadigal Country/Sydney) presents 𝘖𝘯 𝘛𝘩𝘦 𝘉𝘦𝘢𝘤𝘩, opening at the gallery this Saturday 21 September. The exhibition features a series of works by John Beard, continuing his exploration into the concepts of sight and vision, and perception and illusion. Through his unique rendition of objects and subjects, Beard questions the very notions of authenticity in painting and the representation of image.

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Image: John Beard, 𝘖𝘯 𝘵𝘩𝘦 𝘉𝘦𝘢𝘤𝘩 𝘝, 2024, watercolour and acrylic on Arches paper, 64 x 63cm.

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#art #contemporaryart #dominikmerschgallery #johnbeard