That sensibility carries naturally into their support of the arts.
Ministry of Clouds’ manifesto speaks of independence, unpredictability, and “a life well lived” not as a slogan, but as an ongoing practice. For Bernice and Julian, this means resisting the temptation to believe their own press, remaining alert to the difference between success and luck, and carving out a singular voice that is true rather than loud.
It is precisely this commitment to singular voices that draws them to Melbourne Art Fair.
The Fair, like their wines, provides a platform for ideas rooted in place, time, and personal vision. It champions makers who are invested in process as much as outcome, and audiences who are curious rather than passive. For Ministry of Clouds, supporting MAF is an extension of how they engage with the world as patrons, participants, and perpetual students.
Like us, they recognise the parallels between winemaking and contemporary art or design offer an opportunity for dialogue.
Both demand patience and reward repetition. Both are physical and conceptual at once. You work with your hands and your head. You respond to the material in front of you. Recipes don’t apply. Over time, a language emerges, a point of view shaped by seasons, failures, refinements, and return.
It is, as they describe it, the long game.
Their partnership with Melbourne Art Fair began three years ago, coinciding with the Fair’s relaunch and renewed focus on quality-driven, artisanal producers. It felt, instinctively, right. A progressive fair willing to do things differently. A space where smaller, thoughtful voices are not overshadowed, but amplified.
For a winery of Ministry of Clouds’ scale, the collaboration is not about commercial return. It is about contribution. About following what feels aligned. About doing their bit for the greater good.