MELBOURNE ART FAIR 22-25 FEB'24

CONVERSATIONS

Conversations is a platform for critical discourse and the sharing of ideas, bringing together cultural communities and thinkers from across the creative spectrum. The aim: to address the future of art and its relationship to interdisciplinary practices and the contemporary world through a series of talks and panels featuring artists, gallerists, curators, collectors, architects, critics, scholars and cultural luminaries.

Conversations took place virtually from Friday 18 to Sunday 20 February 2022. View conversations below.

 

LEAD CURATOR: Melissa Bianca Amore, Art Critic, Curator, Contemporary Philosopher, and Co-Founding Director of Re-Sited based in New York and Naarm/Melbourne  

CURATORIUM:

Professor Callum Morton, Artist, Professor of Fine Art and Director Monash Art Projects at Monash University

Alana Kushnir, Art lawyer, advisor, curator, and Director Guest Work Agency 

Maree Clarke, Yorta Yorta, Wamba Wamba, Mutti Mutti and Boonwurrung woman and artist 

Daniel Palmer, Art historian and Curator at Public Art Fund, New York

Tara McDowell, Associate Professor and Director of Curatorial Practice at Monash University

 

 

ALREADY A PLACE

Moderator: Professor Brian Martin
Speakers: Maree Clarke; Yhonnie Scarce; Tristen Harwood; Megan Cope

Sharing its title from a chapter in the publication Lets Go Outside: Making Public Art presented by Monash University Museum of Art, Already A Place examines notions of “public art making” and “place making.” This panel explores the relationship between ‘djeembana and place’ while centering origins of Place within Indigenous ways of knowing. Featuring perspectives of artists and writers, we explore how artists sustain and articulate Indigenous knowledges, discourses and culture­–connections to Place and Country–while configuring these into contemporary creative practices. We ask: how are cultural practices mobilized and transferred through the (re)articulation of the agency of Country?

Join Moderator Professor Brian Martin (Bundjalung, Muruwari and Kamilaroi), Artist and Director Wominjkea Djeembana Research Lab, Art, Design and Architecture, Monash University in conversation with Indigenous arts writer, cultural critic Tristen Harwood and multidisciplinary artists Mutti Mutti, Yorta Yorta, BoonWurrung/Wemba Wemba Maree Clarke; Descendent of the Kokatha and Nukunu people of South Australia; Yhonnie Scarce and Australian Aboriginal artist Megan Cope from the Quandamooka people of Stradbroke Island/Minjerribah, who will discuss various projects including, Clarke’s recent Ancestral Memories exhibition at the National Gallery of Victoria, Yhonnie Scarce’s solo exhibition Missile Park at ACCA and Megan Cope’s recent inclusion in the exhibition UN/LEARNING in Seoul, South Korea.

WATCH HERE

THE (ART) CENTRE OF THE WORLD

Moderated by Dr. Henry Skerritt
Speakers: Kimberley Moutlon, Bruce McLean and Professor Fred Myers

Produced in collaboration with Agency Projects

This year marks the fiftieth anniversary of Papunya Tula Artists: the first Indigenous-owned art center in Australia. Over the past half-century, artists from Indigenous art centres have been among Australia’s most internationally recognized, gaining inclusion in major biennials, museum collections and exhibitions around the globe. This panel considers the role of art centers in the increasingly global art world, examining their continuing success and considering their potential as sites for cross-cultural collaboration and institutional engagement.

Join Moderator Henry Skerritt, Mellon Curator of Indigenous Arts of Australia at the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia in conversation with Bruce Johnson-Mclean, Assistant Director Indigenous Engagement, National Gallery of Australia;  Kimberley Moulton, Senior Curator, South-Eastern Aboriginal Collections at Museums Victoria and Artistic Associate for RISING Festival Melbourne and Professor Fred Myers, Silver Professor of Anthropology, New York University.

WATCH HERE

HEADLINE INTERVIEW: ERIK JENSEN IN CONVERSATION WITH MARCIA LANGTON AND BROOK ANDREW

Headline interview with Professor Marcia Langton AM art writer and curator, anthropologist and geographer and interdisciplinary artist, writer and Artistic Director of the 22nd Biennale of Sydney, Dr Brook Andrew. The panel discussion will be moderated by Australian journalist, author and Editor of The Saturday Paper, Erik Jensen surrounding Professor Marcia Langton’s curation of the forthcoming exhibition 65,000 YEARS: A SHORT HISTORY OF AUSTRALIAN ART, at the Ian Potter Museum of Art, Melbourne and Brook Andrew’s international projects including his co-curator role for the exhibition Care, Repair and Healing at Martin-Gropius-Bau, Berlin.

Professor Marcia Langton AM is an anthropologist and geographer, and since 2000 has held the Foundation Chair of Australian Indigenous Studies at the University of Melbourne and Dr Brook Andrew is an artist, writer, curator and Director of Imagining Museums and Collections and Enterprise Professor at the University of Melbourne, and Associate Professor MADA Monash University; Moderator, Erik Jensen, Australian journalist, author and Editor of The Saturday Paper.

WATCH HERE

Local-Global: Redefining the Terms

Moderator: Alexie Glass-Kantor
Speakers: Nina Miall; Kimberley Moulton; Ramesh Mario Nithiyendran; Cosmin Costinas and Aaron Seeto

How do we understand the complexities and integration between local and global contexts? The new landscape of interactivity accelerated by the global pandemic has prompted a revaluation of the term “Globalization”–making the art world re-address notions of proximity and distance as well as re-examining cross-cultural discourses and the reflexive return to local communities. Join leading art curators, museum directors and artists in an international dialogue from Indonesia, Australia and Hong Kong discussing critical questions about the future space of art: where is the local located? What is the role and responsibility of the local in the global and how do we address the speculative nature of “cultural agency” and “national identity?

Moderated by renowned curator and Executive Director of Artspace Sydney, Alexie Glass-Kantor in conversation with Aaron Seeto, Director of the Museum of Modern and Contemporary Art in Nusantara (Museum MACAN); Nina Miall Curator of International Art, QAGOMA; sculptor Ramesh Mario Nithiyendran; Executive Director of Para Site, Hong Kong and former Artistic Director of Kathmandu Triennale Cosmin Costinas, and Kimberley Moulton, Senior Curator, South-Eastern Aboriginal Collections at Museums Victoria and Artistic Associate for RISING Festival Melbourne.

WATCH HERE

THE ROLE OF PUBLIC ART & ARCHITECTURE IN FRAMING NOTIONS OF PLACE: 'SHIFTING PERCEPTION AND ACTIVATING SOCIAL CHANGE'

Moderator: Charlotte Day
Speakers: John Denton; Barbara Flynn; Jamie PerrowJudy Watson; Lou Weis.

Public Art and Architecture has the potential to transform the way we interact with culture, site, and notions of “public.” This panel brings together leading public art commissioners, curators, and artists to discuss the role of Public Art and Architecture in framing conceptions of place, perceptual orientation and social and cultural engagement. We ask: can public art and architecture shift and motivate social change? How can we most sensitively and effectively connect to Country while recognising our colonial and settler histories? And how can we best work to overcome limitations and constraints to the commissioning, design and shaping of our shared social spaces?

Moderated by Director, Monash University Museum of Art Charlotte Day in conversation with Founding Director, Denton Corker Marshall, John Denton; Curator and Advisor Barbara Flynn; Senior Principal, Urban Art Projects, Jamie Perrow; multi-media artist Judy Watson; and Broached Commissions Lou Weis.

WATCH HERE

THE FUTURE OF ART: HOW TECHNOLOGY IS CHANGING THE LANDSCAPE

Moderator: Rose Hiscock
Speakers: Refik Anadol; Stelarc; Christiane Paul; Paul. D. Miller (aka dj spooky)

Enabled by artificial intelligence, data, quantum computing and algorithms, the world of technology has transformed the visual and perceptual landscape of art. Join celebrated artists, scholars and curators from the United States and Australia in discussion about new technologies and the accelerated shift to spatial environments. We examine how technology has redefined notions of place, space and the built environment as well as re-defining the borderless intersection of art, the spectator and technology.

Moderated by Director of Museums and Collections at The University of Melbourne, Rose Hiscock in conversation with new media artist Refik Anadol; Adjunct Curator of Digital Art, Whitney Museum of Art, New York and Professor of Media Studies, The New School, New York, Christiane Paul; performance artist Stelarc and composer, multimedia artist and writer Paul D. Miller, aka DJ Spooky.

WATCH HERE

THE PLACE OF CRITICISM

Moderator: Una Rey
Speakers: Brad Haylock; Daniel Browning; Dan Fox; Elaine Ng; Cassandra Bird

The Place of Art Criticism is a fast-paced conversation on the slow art of considered criticism. Speakers from Australia, Hong Kong and the United States interrogate the rigour and relevance of art criticism – and its softer bed-fellas – within the slippery category of art writing and publishing.

Join Brad Haylock, co-editor of Art Writing in Crisis (Sternberg Press, 2021) and contributing writer Dan Fox, recently ‘retired’ Editor of Frieze magazine; Elaine Ng, longstanding Editor and Publisher of ArtAsiaPacific; Daniel Browning, presenter of ABC Radio National’s The Art Show and Associate Director Roslyn Oxley9, Cassandra Bird. Moderator: Una Rey, Editor of Artlink (Tarntanya / Adelaide).

WATCH HERE

THE ARTIST, THE CURATOR AND THE COLLECTOR

Moderator: Dr Terry Wu
Speakers: Lorraine Tarabay, Lindy Lee, Nick Mitzevich, Dick Quan

What role do curators and collectors play in segmenting artists’ practices? How do they interact and influence each other? In this critical panel Australia’s leading professionals and collectors discuss the intricate love triangle between the collector, the artist and the curator while addressing the psychology of collecting and how acquisitions are made. We ask: who are the taste makers? How do the taste makers impact the way we view the art landscape? Is money a dirty word?

Moderated by renowned plastic surgeon and arts advocate Dr Terry Wu in conversation with Director of the National Gallery of Australia Nick Mitzevich; Collector Dr. Dick Quan; Chair, Museum of Contemporary Art, Sydney and Collector Lorraine Tarabay, and interdisciplinary artist Lindy Lee.

WATCH HERE

We acknowledge the Traditional Owners of the place now called Victoria, and all First Peoples living and working on this land. We recognise and celebrate the cultural heritage, creative contributions, and stories of the First Peoples of Victoria. We pay respect to Elders of today, emerging Elders of tomorrow and Elders of the past.

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